You might find these irregular meters to be of limited use in writing pop or rock songs. The most common irregular meters feature a top number of 5 or 7. In irregular meters, beats do not divide evenly into groups of two, three or four. Irregular meters, also known as asymmetrical meters, are perhaps more difficult. Meters with a top number of nine have three beats, while meters with a top note of 12 have four.) (Meters with a top number of six are typically felt as two beats to the bar. They essentially boil down to two, three, or four beats per measure, with a dotted note getting the beat. Compound meters in particular can be difficult to notate, but you probably already understood them, either explicitly or implicitly, and could play in them before you started reading this site. Meters with a top number of 6, 9 or 12 (such as 6/8 or 12/8) feature beats that are divided into three parts rather than two, and are known as compound meters. Most pop songs are in one of these time signatures, with 4/4 being the most typical. Irregular MetersĬommonly used time signatures such as 2/4, 3/4 and 4/4 belong to a category known as simple meters. Also, many pop songs use unusual phrase lengths of three or five bars, or go further afield. Irregular meters, which include meters like 5/8 and 7/4, can be tricky to play, but can provide interesting new colors to add to your songwriting palette. Most pop songs feature measures of two, three or four beats, arranged into phrases of two, four, or eight measures.
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